#Netflix 「 #DEVILMAN Crybaby 」における「同性愛」と「排外主義」 – レインボーフラッグは誰のもの

waaty:

eendroid:

if you’re interested in a Japanese perspective on LGBT issues in Crybaby, I found this article by a trans blogger. here are the main points in it:

  • the sabbath has couples of the same
    gender and different gender, which normalizes the former.
  • Koda is a devilman and gay, but not a
    devilman because he is gay since others are possessed too. his sex scene is also normalized, not a stereotype or a joke.
  • demon/devilman hunting resembles
    anti-gay persecution (sodomy laws, gay allegations, AIDS crisis, etc), especially
    because gay people are historically associated with demons.
  • Crybaby uses apocalyptic imagery from
    the Bible and the Christian Makimuras are portrayed respectfully.
  • Ryo televising Akira’s devilman
    transformation resembles outing.
  • admittedly “maybe I’m reading too
    much into it” and “of course, this is a high-handed explanation.
    I think so too.”
  • referring to the demons as “ancient
    people” brings in colonialism, which also caused anti-gay
    persecution.
  • Netflix’s English subtitles using
    “foreigner” and “mix” instead of “gaijin” and “haafu”
    changes the nuance of Japanese xenophobia.
  • Miki K’s last stand is more an act of
    unarmed neutrality than one of suicide, because after she was able to
    confess her love to Miki M she doesn’t kill anymore.
  • “calling [Miki K’s confession]
    ‘gay’ may be an exaggeration, but something like
    ‘friendship’ isn’t enough either. I feel it is ‘love.‘”
  • empathy is acquired through love in
    Crybaby, such as through love symbolized in the baton pass.
  • perhaps gods and holy figures (in this
    case angels like Satan) are often depicted as androgynous to connect
    to any mortal.
  • Ryo’s ultimate form looks like a woman
    but Ryo and Akira are also men (like gachimuchi, a genre of gay art). the question of if they depict “love”
    or “gay” or “straight” doesn’t have a
    definitive answer because they have surpassed the gender binary and
    biological sex. anyone (man, woman, gay, straight, trans, etc.) can
    empathize with the final scene because of that.
  • Akira didn’t lose his empathy or love
    for Miki M even after becoming non-human, and Miki K regained her
    humanity after confessing her love.
  • the time of anti-gay persecution is not
    over.
  • “thank you, Devilman! thank you,
    Crybaby! good job!”

feel free to tell me any constructive corrections or anything important I missed. but please don’t respond to this post as if these are my opinions, since they’re not and I just want to share them.

thank you so much for summarizing this article!

for context, yuasa actually retweeted this article yesterday on 1/20/18.

#Netflix 「 #DEVILMAN Crybaby 」における「同性愛」と「排外主義」 – レインボーフラッグは誰のもの

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