Driving Mr. Brando
when an unstopable force meets an inmovable object
Tag: devilman

#Netflix 「 #DEVILMAN Crybaby 」における「同性愛」と「排外主義」 – レインボーフラッグは誰のもの
if you’re interested in a Japanese perspective on LGBT issues in Crybaby, I found this article by a trans blogger. here are the main points in it:
- the sabbath has couples of the same
gender and different gender, which normalizes the former.- Koda is a devilman and gay, but not a
devilman because he is gay since others are possessed too. his sex scene is also normalized, not a stereotype or a joke.- demon/devilman hunting resembles
anti-gay persecution (sodomy laws, gay allegations, AIDS crisis, etc), especially
because gay people are historically associated with demons.- Crybaby uses apocalyptic imagery from
the Bible and the Christian Makimuras are portrayed respectfully.- Ryo televising Akira’s devilman
transformation resembles outing.- admittedly “maybe I’m reading too
much into it” and “of course, this is a high-handed explanation.
I think so too.”- referring to the demons as “ancient
people” brings in colonialism, which also caused anti-gay
persecution.- Netflix’s English subtitles using
“foreigner” and “mix” instead of “gaijin” and “haafu”
changes the nuance of Japanese xenophobia.- Miki K’s last stand is more an act of
unarmed neutrality than one of suicide, because after she was able to
confess her love to Miki M she doesn’t kill anymore.- “calling [Miki K’s confession]
‘gay’ may be an exaggeration, but something like
‘friendship’ isn’t enough either. I feel it is ‘love.‘”- empathy is acquired through love in
Crybaby, such as through love symbolized in the baton pass.- perhaps gods and holy figures (in this
case angels like Satan) are often depicted as androgynous to connect
to any mortal.- Ryo’s ultimate form looks like a woman
but Ryo and Akira are also men (like gachimuchi, a genre of gay art). the question of if they depict “love”
or “gay” or “straight” doesn’t have a
definitive answer because they have surpassed the gender binary and
biological sex. anyone (man, woman, gay, straight, trans, etc.) can
empathize with the final scene because of that.- Akira didn’t lose his empathy or love
for Miki M even after becoming non-human, and Miki K regained her
humanity after confessing her love.- the time of anti-gay persecution is not
over.- “thank you, Devilman! thank you,
Crybaby! good job!”feel free to tell me any constructive corrections or anything important I missed. but please don’t respond to this post as if these are my opinions, since they’re not and I just want to share them.
thank you so much for summarizing this article!
for context, yuasa actually retweeted this article yesterday on 1/20/18.
#Netflix 「 #DEVILMAN Crybaby 」における「同性愛」と「排外主義」 – レインボーフラッグは誰のもの

took this matter into my own hands
I cannot believe how extremely petty ryo is in the go nagai world ova








